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Some point in the future. under some projections, the pending retirement of the baby boom generation will greatly reduce the ratio of workers to retirees, making it more difficult to pay all promised benefits. the potential financial crunch has allowed privatization advocates to make the case for urgent action, though many say solvency issues are less important than convincing americans that they are getting a raw deal under social security. stuart butler, vice president for domestic policy studies at the heritage foundation, said the think tank pushed hard in the early 1980s to expand individual retirement accounts and 401 k ; plans, in essence creating a private system that would mirror social security and introduce americans to the concept of individual accounts. in 1983, butler co-wrote an article for the cato journal suggesting that the rise of iras would educate americans on the virtues of stock ownership and ultimately undermine support for social security. "the strategy worked perfectly, " butler said, because advocates were able to begin making the case that the return from social security lagged behind personal investments. "that was a turning point in this debate. how do you get the best value for the dollars invested?" personal accounts appeal to the president because he "comes from the empowerment wing of the republican party, " lindsey said. the president, he said, sees private accounts as a way "to move from a society of paycheck collectors to a society of owners and savers." the challenge for the administration and other advocates of personal accounts is to construct a plan that can deflect the inevitable political attacks. henry aaron, a social security expert at the brookings institution who opposes privatization, said he has the "highest respect" for the political skill advocates have shown in trying to shape public opinion. "but until we have a real live proposal that people can look at and weigh the pluses and minuses, " aaron said, "we won't know what the staying power of this issue is.
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There are thousands of players playing at peak times. Rdc seasonal employee policies employee recreation facilities opportunities & safety ; continued basketball courts may be used when guests do not wish to use them. usually guests are hoping staff will be available to play. piano at music hut may be used when guests do not wish to use it. it is usually available. ball field check with the recreation staff supervisor regarding times in which the ball field is free from scheduled activities. picnics on occasion, food for picnics or other special activities can be substituted for regular meals with permission from john or kathy j. and the food service director. tennis courts employees may use the "outer courts" during the following times: sunday all afternoon until darkness and monday-friday 6 p.m. until darkness. other courts may be used if guests have not signed up for that particular time slot. to help keep our clay tennis courts in top condition, never play on the courts when the nets are down and play only in smooth-soled sneakers. employees may use the tennis practice wall when not in use by guests. organized employee recreation activities are strongly encouraged at rdc. the recreation department will be organizing activities and trips for staff during their off-duty hours. we will also continue to assist employees wishing to organize wholesome group activities for staff. interested parties should talk to john or kathy j. regarding possibilities. activities from past years include: hiking or bicycling trips, various field games or sporting events, movies, trips to concerts, pizza parties, shopping excursions, theme dinners, etc. guests under 18 years of age are not permitted on staff outings unless approved by john or kathy jurczynski and the parents of the minor. general recreation activities when participating in a recreational activity at rdc please remember that the primary goal of any such event is to have fun. please do not participate in games that may be above your physical capability. parents babysitters should monitor children's participation in these activities. swimming because rdc swimming areas and cottage docks have multiple uses swimming, docking boats, picnicking, sunning, etc. ; , it is essential that precautions are taken to avoid potentially dangerous situations. precautions include: a. do not swim beyond 150 ft. from shore without being accompanied by a canoe or rowboat. it is very difficult for a boat moving at even a reasonable speed to see or hear a swimmer in open water. b. never swim alone and swim with someone who has the ability to help when necessary. c. never substitute the use of floating devices for swimming ability. d. the lake slopes steeply in many places; extreme care should be taken by non-swimmers. e. do not use breakable objects near cottage docks or swimming areas. f. no child should be left unattended at cottage docks or swimming areas. there are no life guards; parents babysitters are responsible for the supervision of their children. g. observe personal safety rules, such as not swimming when overheated, exhausted or during an electrical storm and diving only in known and safe depths. 11.
You, seniors! if you are not excited about next fall, i here to sell you the idea college is well worth your efforts. juniors, sophomores, you also have the opportunity to experience college next year if you would like to. talk to your counselor about the pseo or 916 programs early this year. the state pays for your tuition! ; i in my third week of school at concordia college, moorhead mn. my bias: i enjoy college immensely because the people here want to be here; they have chosen to be here. at high school, kids are still being forced by law to attend class. no matter how one looks at it, for the students who make the best out of high school and for those who make the worst out of it, they have no choice but to be there. at college, much more is determined by only the choices you make. throughout the year i will journal my adventures here so that you might make a smooth transition from the grove to where ever you decide to go. these weeks have gone by so quickly i hardly know where to start. orientation was a blast, but some colleges do not offer much time for it. it is good to go to all of the cheesy get-toknow-you activities in order to meet a few good people before classes start. oh yes, and all the people you will meet * ! so far, there is a slack-line-walker here, like tight-roping ; , who sets the line up between trees on campus to practice; there are kids who are incredibly similar to college-aged ; ninth-grade social studies teachers; and there are even some girls on my floor from ghana and nepal. the get-to-know-you activities include but are not limited to: circling around one person as they ride a horse on a stick and sing songs, lounging on the only hill within several miles as people skip by, and walking in the freezing cold rain to dairy queen for some freezing cold ice cream. yes, people participate. yes, it is fun. last saturday there was a pizza-poker no money ; party in my dorm room. we fit nine people comfortably into a 9' by 13' space! since then there have been monopoly and life game tournaments, pool, ping-pong and foosball tournaments, of poker rules nights and the never-ending starcraft computer game.
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I can tolerate few at the ungodly hour of nine o'clock on saturday mornings, and i can tolerate even fewer hearing me sing at that hour. fortunately, colby riordan is one of them. although colby and i are no longer members of the handel & haydn young women's chorus that meets in the boston latin school chorus room on saturdays at 9 a.m., this is where i first began to discover her brilliance, both musically and personally. it is a little known fact that there are some who love the music wing so much that they are actually willing to come in on a saturday while 90 percent of their classmates are asleep. ; the typical "chorus girl" is now a rare breed at bls, but colby's attitude and dedication to the music department would make anyone with such a title proud. she is one of few people who can turn a sneeze into a "vocal sigh" on a regular basis or who sings soprano in three groups, although she claims she is secretly an alto. two years ago, she helped those auditioning for show choir learn the tryout dance, despite a broken leg. she has also been known to break out into song, demonstrating show choir skills during music theory class, in the hallway and sometimes even while walking down the street. colby has been a member of many choruses during her entire bls career. she is currently a member of concert choir and the wolfettes an a cappella group ; , and also the president of show choir, where she has truly distinguished herself. one member of show choir praises her, saying colby "has an amazing way of bringing everyone together, [while] at the same time being productive." even when simply talking about show choir, colby exhibits a remarkable amount of enthusiasm, and can somehow manage to discuss the group's dresses for up to two hours. her officer position in the chorus proves how much performing means to her. with this position, she constantly exercises her inclusive attitude. she is not, however, only outgoing during show choir. anyone who knows colby will tell you that she is always welcoming new people to hang out with her during and outside of school. she brings comic relief to every situation, taking coffee runs very seriously and note-learning somewhat seriously. as a result, she puts both new and old members at ease. outside of the music wing, colby is an active member of her community. she works at st. elizabeth's hospital in brighton and volunteers with a suicide helpline once a week. when asked what profession she wants to pursue, she consistently answers that she is interested in a career in medicine. one thing is for sure, though: no matter where she ends up in life, colby says she will always be singing and helping people. so in 15 years, if you are looking for colby, your best bet is someone in a white doctor's coat, belting out "iii-eeeeiiii-eeee-iiiii will always love yoooo-uuuuooo-uuu-ooo!" between patients. 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Jrgen leth's personal, pleasurable distillation of danish literature covers seven poets living at the time of production and twenty classical poets. a handful of actors share readings of the classical texts in medium shots against a dark background; the living poets read their own works. one untraditional choice is that the living poets are only heard, while the screen shows their silent portraits shot in their own settings. the visuals also consist of landscape paintings and portraits of the classical poets, filmic landscapes, and more specifically a series of pictures of danish landscapes shot from a train window during "the golden hour". herman d. koppel composed a series of short pieces for the cello for the soundtrack.
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