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Betting. when should you bet? you should bet whenever you have a hand or a draw. slow playing can lead to disaster unless you've flopped the nuts and have no possible way of being beaten. the second a card pops up that shows a possible disaster scenario for your hand you need to bet and bet enough to either scare your opponent off their newly found draw or to make it costly enough for them that if they do call and don't hit they've lost a huge stack of chips. minimum bets do nothing for you unless it's a feeler bet. when you have middle or bottom pair with no draws on the board and you simply want to test the waters to see if your opponents are going to reraise you then a minimum bet may do the trick. if there is a draw on board and you want to at least get rid of the draws as well as top pair with a weak kicker ; then you have to bet enough to force out the draws. minimum bets and twice the blinds are not enough. internet players tend to whine about how their ak suited lost to 52o when they only bet the minimum or something relatively small in relation to the size of the stack of their opponent. ; the reason you should always bet is because it forces opponents to do 1 actions: 1. reraise you costing them additional chips above and beyond your already made bet 2. simply call and risk having to call again and again risking chips. 3. fold. betting. when should you not bet? you should not bet against a calling station when you do not have a pair. they will keep calling you and possibly win with a pair of 2's or 3's. you should not bet with bottom pair against a tight player when the board has an ace and a king on board and you have a pair of 7's. you should not bet when your hand is solely 2 live cards and a loose aggressive player is in the hand with you for they, much like the calling station, may have a pair or two. raising. when should you raise? by raise we mean preflop and beyond that it means reraise being that bet and raise mean exactly the same thing. when it comes to raising preflop you should always raise with good cards to avoid limpers coming in and flopping 3 of a kind 2's happened to one of our editors at his first casino tournament when he failed to raise with at as the big blind, flop came a 2 opponent had limped in with q2 off suit. ; you can also raise in late position or as the big blind to at least narrow down the field of possible competition in the hand on the flop. raising in early position usually signals to the table that you have a very strong hand and will most likely not be called by.
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Daily trojan an increase of 41 per cent in th e total enrollment of the department of journalism, over last year's registration was announced today by professor roy l. french, head of the department . for the year of 1929 there was a total enrollment of 158 students in the journalism classes . this year it has increased to 216 . last year 8 2 freshmen enrolled as journalis m majors. this year the number reached 89 . each year sees more students making journalism their major course . seventy-eight are majoring in th e school this year, whereas the tota l number last year was 68 . this marks an 18 per cent increase amon g those majoring in the department. u . of manitoba professor a . a stoughton and gilbert parfltt provincial architect , worked on the plans for the new art s building this summer, and about tw o weeks ago tenders were called for this unit, which is the first of th e new group of buildings which are eventually to form the university, combined with the present m .a .c. quarters . it is hoped that the con tract will be settled soon and construction got well under way befor e winter sets in . there are fourteen companies entering quotations, each giving a price for all tyndal stone construction and for part stone construction . this unit will be paid for by part of the million-dollar appropriation given the university for that purpose by the manitoba legislatur e last session . oregon barometer an increase in registration over a year ago is shown in the first report of e . lemon, registrar, since the return of upperclass students. with registration still on, the total for th e first term had passed the 3000 mar k with an increase over the corresponding day a year ago. grand total for the year including the summer session was shown as 4412 as compare d with 4360 a year ago . the school ; of agriculture shows a marked increase this year, probably the largest since the heavy slump in agricultural students which followed the apiculture ; depression of seven o r eight years ago . other schools with increases are chemical engineering, forestry and mines . early registration of graduates is also higher , idaho argonau t during the college year 1927-28, a half billion dollars flowed into th e tills of colleges and universities i n the united states according to th e reports of 1, 071 institutions reportin g to the united state office of education . one fourth of this came from th e tuition fees of undergraduate an d graduate students ; 23 per cent wa s appropriated by state and city governments ; 13 per cent was give n through private benefactions ; 12 per cent was income from endowments ; 10 per cent was gross income fro m board and room charges, and 12 pe r cent was obtained from other sources . three and four tenths per cent was contributed by the united states government and em poker play.
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Non-jew jon peters, a seventh grade dropout, [abramowitz, r., 2000, p. 95] eventually rose from co-ownership of a hairdresser shop to become co-head of a columbia division. it didn't hurt his possibilities that when he started out, he shared the hair business with a jewish friend, paul cantor. nor did it hurt his hollywood career that he eventually was doing barbara streisand's hair, and that he later became her live-in lover. [griffin masters, p. 23, 102, et al] jewish film producer julia phillips, early in her hollywood career, notes the first time she met streisand at her home: "she stares at me a lot. i make sure to let her know i'm jewish like the time i met [my husband] michael's grandmother, and that pleases her." [phillips, j., p. 90] russian-born french film director roger vadim jewish? ; -- famed for romances with brigette bardot, catherine deneuve, and jane fonda -- notes the beginning of his movie career: "all i needed was opportunity and luck. opportunity came in the form of raoul levy. a belgian of russian origin." [vadim, p. 78] levy, notes actor tony randall, "made many of brigette bardot's films, starting with her first, and god created woman." [randall, t., 1989, p. 89] famed french film director francois truffaut? "his father had disappeared in 1931 after impregnating his mother." a hired detective discovered that truffaut's father was "the bayonne-born jew, roland levy." and as the jewish bulletin of northern california notes: "according to the authors of a new biography on the filmmaker, truffaut was relieved [that his father was jewish] 'because it confirmed he was not like everyone else. he was different. he was not a child like anyone else and perhaps that was because he was jewish child. [truffaut] kept his jewish origins a secret from all but his ex-wife madeleine morgenstern; helen scott, the head of the public relations for the french film office in new york; and film producers pierre braumberger and ilya lopert -- just a few of the jews he surrounded himself with.'" truffaut's "long time jewish assistant" was suzanne schiffman. he was also a member of fonds de solidarite avec israel the israel solidarity fund ; . [gelenter, t., 4-23-99, p. 35a] how prominent are jews in hollywood? superstar judy garland's road to hollywood stardom was like many others. although not jewish, her big break in hollywood was provided by a jewish friend of her parents, marc rabwin. he contacted a jewish acquaintance, joseph mankiewicz, a prominent screenwriter, who personally asked an audition for her from louis b. mayer of metro-goldwyn-mayer mgm ; . garland's agent at the time, al rosen, also jewish, "claimed credit" for setting up a second audition for his client at the powerful studio where the man she "decided to see was sam katz, a new arrival to the studio." [shipman, d., 1993, p. 42-44, 51] like many hollywood stars, garland's eventual agent was the prominent charles feldman, also jewish. so was her doctor, lee siegel. garland's first husband was also jewish -- bandleader artie shaw. her second husband was a jewish musician, david rose. garland's sister, suzi, also married a jewish musician, lee cahn. [shipman, d., 1993, p. 104, 108] ; judy garland's fourth husband was her business manager, sid luft, also jewish. a man he hired, harry rubin, "a former hoodlum from brooklyn, " [shipman, p. 304, 352] also had a series of affairs with the famous and to play texas poker.
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